People tend to want artists to do the same thing, and it is incumbent upon artists to do something that the audience doesn't want -- yet. I'll tell you this. I won't follow an artist who will be led by his audience. Because I don't want to have to follow an artist that I have to lead.
The comments about Silicon Valley aside (I use and make a living off this technology, but I see more and more every day why many creative people are embittered about it, but that's another essay), it was this comment -- courtesy of Marc McKenzie, hat tip -- which caught my attention.
E.W. Dijkstra Archive: On the cruelty of really teaching computing science (EWD 1036) The usual way in which we plan today for tomorrow is in yesterday's vocabulary. We do so, because we try to get away with the concepts we...
The usual way in which we plan today for tomorrow is in yesterday's vocabulary. We do so, because we try to get away with the concepts we are familiar with and that have acquired their meanings in our past experience.
This insight is a big part of why I'm convinced most any attempt to talk about "the future", especially in SF, is always going to be some form of talking about the here and now. When I wrote Flight of the Vajra I didn't really think the future I was imagining was the future we were going to have, or even a future we were likely to inhabit. It was a future, one I used more as a way to muse about where we're headed or even where we are right now. Such is the way of skiffy.
What I don't think we should ever do, though, is settle for only that. Today's tomorrow shouldn't look like yesterday's tomorrow if we can help it.