My Muse Hack¹ cohort Scott Delahunt posted over at his site about his character creation process, so I thought I'd use that as the excuse I needed to say a few things in that vein. When I was a kid,...By Serdar Yegulalp on 2013/06/22 14:00
When I was a kid, I hijacked the Art through the Ages textbook that my mother had used in college and used it to play a game akin to an inkblot-reading test. Not knowing the contexts for many of the paintings (or simply not caring about them), I'd look at the pictures and ask myself: what's going on here? Who are these people and what do they want? How do they see the world? It was hard not to look at some of them and hear how they might speak, or imagine how they might walk across a room, or speculate on how they dealt with a given problem.
The fine folks of StandoutBooks have published an interview with yours truly about Flight of the Vajra.By Serdar Yegulalp on 2013/06/21 11:22
Go read it, duh.
Read the first chapter of my forthcoming space-opera epic "Flight of the Vajra".By Serdar Yegulalp on 2013/06/20 12:30
I went dancing with my wife the night she died.
My wife, my daughter, and my best friend; they’d all been with me that night in the main ballroom of my luxury liner, the Kyritan.
That ship wasn’t supposed to have been their coffin, but since it had been theirs it ought to have been mine as well.
Read the rest here. Then go buy the book when it's out in September.
Why I'm trying not to repeat myself by not writing sequels, possibly at your expense.By Serdar Yegulalp on 2013/06/11 10:00
Not long after I wrapped work on Flight of the Vajra, a friend of mine commented that the universe I'd created was rich with other possibilities -- that it could be mined in much the same way Iain Banks (RIP) had mined his "Culture" universe for a whole slew of different stories.
"I don't think I want to do that," I said, and almost immediately felt terrible for doing so.
Two competing and conflicting impulses were at work within me. The first was the sense that he was right -- the universe of Vajra was (and is) a huge and rich one, from which any number of other stories could be derived. After all, why go through all the trouble of creating a whole new setting from scratch when I already had one all dolled up and ready to deliver?
The second was a far more complicated impulse, rooted in why I had created the Vajra universe in the first place.
"I want to live forever." Yes, but which I?By Serdar Yegulalp on 2013/06/07 10:00
A transhumanist should ask ‘What is this “me” that I’m trying to preserve and enhance? What is the point of what I’m doing? Who am I doing this for?’ The ultimate question of Transhumanism is one of identity.
The title I slapped on this is of course a callback to the magnificent David Gerrold, and the whole question of "Which 'I' am I?" is one that wove itself through most any book I found myself picking up, from Zamyatin's WE (the source of those very words, in fact) to most anything Phil Dick sneezed in the direction of.
The real issue for me here is how transhumanism too often boils down to leaving the rest of the human race behind -- that it is not about a rising tide that lifts all boats, but rather getting there firstest with the mostest, and about having yet another excuse to coddle and sanctify one's own ego above all else.
Science fiction, rebooted.
New York City
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