The biggest problem with Baz Luhrmann's The Great Gatsby is not that it's a bad film; it's the wrong film. F. Scott Fitzgerald's novel is so simple on the face of it that at least four different film versions, this one included, have come and gone, and they have all made the same mistake: they assume all that you need to do is film what's on the page.
But the book doesn't take place entirely on the page, and that's the problem. It exists in a privileged space somewhere between the page and the reader, and the minute you point a camera there it all turns silly and literal. So much of what happens in the story isn't in the bustle of Jay Gatsby's parties or even in the words spoken by one character to another (much of which can be found here), which is why the more of that you put on the screen in an attempt to "bring the novel to life", the less you end up with.Read more