The more I see of Nightmare Inspector, the more I hope it doesn’t just slip through the cracks and go unnoticed. This has to be one of Viz’s better mainstream acquisitions, a title that satisfies both me the critic and...By Serdar Yegulalp on 2008/04/28 18:21
The more I see of Nightmare Inspector, the more I hope itdoesn’t just slip through the cracks and go unnoticed. This has to beone of Viz’s better mainstream acquisitions, a title that satisfiesboth me the critic and me the fan—and while I can often make one or theother happy, you know how hard it is to get both of them to smile?
The first volume introduced us to Hiruko, a bakuor dream-eater in human form who holds court in the Silver Star TeaHouse. Those with nightmares come seeking to dispel them with Hiruko’said, and discover things about themselves, not always good, in theprocess. The unconscious, as Hiruko knows well, is more than just afeeding ground for a baku—it’s a place where the strangest demons cancome to life without warning. What’s more, just when you think you’veplumbed the meaning of what you’ve experienced, it turns out there’syet another layer to it all.
I feel as though I am condemned to write nothing but lamentations for Osamu Tezuka whenever I read a new translation of one of his manga. It’s heartbreaking to know that the man responsible for so many brilliant productions has...By Serdar Yegulalp on 2008/04/25 22:12
I feel as though I am condemned to write nothing but lamentationsfor Osamu Tezuka whenever I read a new translation of one of his manga.It’s heartbreaking to know that the man responsible for so manybrilliant productions has been dead almost twenty years now. Worse, inlieu of seeing anything “new” by him, those of us in theEnglish-speaking world have to settle for catching up with his life’swork as it’s gradually licensed and released here.
The fifth volume of Lunar Legend Tsukihime is a slowing-down and a summing-up, a way for both the creators and the audience to catch their collective breaths. There’s nowhere nearly the level of action found in the previous volumes, but...By Serdar Yegulalp on 2008/04/25 22:10
The fifth volume of Lunar Legend Tsukihime is a slowing-downand a summing-up, a way for both the creators and the audience to catchtheir collective breaths. There’s nowhere nearly the level of actionfound in the previous volumes, but now that I think about it, LLT’saction has always been relatively sparse. A series this dark under theskin benefits from being slowly paced; a lot of bang-bang back-to-backaction would just make it rushed.
To that end, the only realaction in the whole of this volume is right at the end, with most ofthe book taken up by two things: Tohno delving into a key portion ofhis childhood, and he and Arcueid spending a day together and growingthat much more … well, if not close, then certainly empathetic.If it weren’t for the fact that one of them (Tohno) carried inhumanpowers courtesy of his bloodline and the other (Arcueid) was acenturies-old vampire, they’d be out on a date—something Arcueid andTohno both realize during the course of things. Maybe it wouldn’t beall that hard for either of them to pretend everything was normal, andjust live as if nothing was different …
I’m going to use an adjective to describe the fourth Guin Saga book, Prisoner of the Lagon, which might seem completely out of place for this most fast-moving and hard-hitting of adventures: introspective. After the full-bore action extravaganzas of the...By Serdar Yegulalp on 2008/04/15 16:55
I’m going to use an adjective to describe the fourth Guin Saga book, Prisoner of the Lagon, which might seem completely out of place for this most fast-moving and hard-hitting of adventures: introspective. After the full-bore action extravaganzas of the first three volumes, book four slows things down just a bit—but a slowdown here is akin to downgrading to “only” a Lexus from a Lamborghini. There’s still a lot happening between the covers, just in new realms.
Lagon gives us two parallel plots: Guin traversing the far reaches of the Nospherus wastes to enlist the aid of the barbaric Lagon in his fight against the Gohran armies; and intrigue within the ranks of the Gohran forces themselves. Each one ends up a fair distance from where it starts. The former storyline begins with Guin struggling against the elements and enemies of nature, but transforms into a vision quest within Guin’s memory and spirit. The latter presents us with what sounds like a sure-fire formula for gleeful mayhem: the cutthroat and cutpurse Istavan sneaks into the Mongaul army and masquerades as one of their number. But that story, too, evolves from one of subterfuge into something more unexpected and even touching.
Tezuka's mythic fantasy of a man whose body was ransomed by demons is a great and compelling piece of work.By Serdar Yegulalp on 2008/04/14 12:26
After the psychological / mythological head-rush of Apollo’s Song, the strange and compelling Ode to Kirihito, the gut-wrenching nihilism of MW, and the epic Buddha, what could Vertical, Inc. possibly be bringing us next from Osamu Tezuka? When you’re dealing with a guy whose worst work was still better than most other people’s best, anything they cull from his encyclopedic back catalog is likely to be fascinating.
And so now Vertical has brought us Dororo, a story that at first doesn’t seem to have a lot in common with the other Tezuka works listed here, if only because on first glimpse it looks almost light-hearted in comparison. It’s a rollicking adventure in ancient Japan, abounding with denizens of the supernatural and feats of the superhuman—in short, a story that seems to have a lot more in common with your average Shonen Jump action title than anything with Tezuka’s name on it. Look closer, though, and you’ll quickly realize that the adventure and action is just a wrapper for all the big things Tezuka addressed in all of his stories, big and small.
Grim story of modern survival in the aftermath of an earthquake covers little more than that but does it well.By Serdar Yegulalp on 2008/04/11 23:19
Disaster movies tend to follow a pretty standard formula. Take a group of otherwise-normal people, put them smack in the middle of a catastrophe, and watch them become as much a danger to each other as the earthquake / fire / alien invasion around them is to them. Throw in some social commentary and some emotional stacking-of-the-deck (kids in danger, pining for loved ones, etc), and you’re good to go.
Metro Survive was put together from the above list of ingredients, but there’s a few things about it that keep it consistently interesting and readable. For one, the mere fact that it’s set in Japan—where earthquakes can be unbelievably devastating, as the Kanto Earthquake of 1923 and the Hanshin / Kobe earthquake of 1995 demonstrated—gives the social-commentary part of the story a bit more bite than usual. That’s in fact one of the biggest angles that author and artist Yuki Fujisawa takes on the whole thing: do people grow complacent if they don’t have disaster hanging over their heads? Or do they just find new ways to be lazy no matter what the circumstances?
The first of Kei and Yuri's riotous cosmic-slapstick adventures, in English for the first time.By Serdar Yegulalp on 2008/04/06 17:48
Let’s face it. Goody-two-shoes heroes are no fun. There’s nothing more boring than someone who’s right all the time. Small wonder some of our favorite heroes are anti-heroes, or maybe non-heroes. They’re the folks who leave behind at least as big a mess as they came to clean up, but darn it all, we want to see what they do next.
Such is the appeal of Kei and Yuri, the “Lovely Angels”—or The Dirty Pair, depending on whether or not you’ve benefited from their (cough) help. As agents of the Worlds Welfare Work Association, or W3A for short, they’re dispatched to lend a hand throughout the universe wherever there’s trouble. Unfortunately, after most people have a taste of their assistance—which usually means massive property damage at the very least—they tend to try and get by without it after that.
Science fiction, rebooted.
Other Lives Of The Mind