The difference between an only-okay show and a great one is, I think, whether or not you care about the people involved. From the outside, I shouldn’t have cared much about Claymore and its cold, closed-off heroine Claire — but when I first saw the show (in fansubs, back before FUNimation saw fit to pick it up and grace us in Region 1 with it), something about the show, and Claire herself, grabbed me immediately. Somehow the way Claymore’s premise, characterization, storytelling and higher concepts all locked together did it for me. The same applied to the manga it was derived from, which explains why the TV series hangs together as well as it does: they had good source material.
Volume 1 set up the premise and gave us Claire, the “Claymore” of the title (one of many) who gains a human sidekick, Raki. The last episode on that disc hinted at why Claire’s icy surface has melted a bit: by taking in Raki she is recapitulating, in a sense, some of the same formative experiences she had. As a young girl, mute and near-insensate, the village Claire lived in was attacked by youma. Salvation came in the form of a Claymore, “Teresa of the Faint Smile”, so named for her trademark expression at the moment of a successful kill. Claire tried to follow Teresa and was at first spurned, but in time the Claymore warmed up to the girl and grew to care about her.
Article originally written for AMN. Click here to read full text.
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