A common beginning exercise for the budding critic: take the work in question and create an explanatory parallel with another work. With Ghost Slayers Ayashi, f’rinstance, you could come up with something like this: “It’s Mushi-shi for people who liked that series but wanted to see more stuff hacked up and asploded real good.”
I keed, I keed. See, it’s easy to be flip when talking about something this good, not least of all because a) it’s loaded with all the things I savor (feudal Japan, fantasy elements derived from same) and b) it’s a solid piece of manga storytelling entirely apart from all that. Ayashi’s a good manga that happens to contain a great many things I already like, rather than it being a bunch of things I already like justifying the existence of the manga they happen to be in. By all accounts it’s the manga adaptation of the series of the same name, since it sports BONES, the animation studio for Ayashi, as one of the story credits. The other name’s Sho Aikawa — no, not the guy who stars in just about every Takashi Miike movie ever made (and good for him, too), but a screenwriter with a ton of venerable credits: 12 Kingdoms, Love Hina, Legend of the Overfiend (!), the criminally underrated Hakkenden, and many more.
Ayashi kicks off in Japan’s later Edo years — the mid-1800s or so, right before Commodore Perry’s black ships sailed into Yokohama and coined the term gunboat diplomacy. Edo is having a bad time of it regardless: a slew of newly-passed sumptuary laws forbid indulging in exactly the kinds of extravagances that helped drive a good chunk of Edo’s economy. Worse, famine in the countryside has forced many people into the city, which has become a hothouse of the hungry, the restless, the disaffected, and the newly-criminal. And underneath all that is yet another problem: the youi. This is the name the government has applied to various beings that have started to manifest — creatures of ostensibly supernatural origins, wreaking havoc on the peasantry and causing more of exactly the kind of unrest the already-edgy Shogunate doesn’t want. To combat this problem, the government has created the “Office of Barbarian Knowledge Enforcement” — a clandestine group whose mission is to find and put a stop to youi manifestations.
Article originally written for AMN. Click here to read full text.
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I have my doubts about "Love Hina" being a positive writting credential. LH is the type of work that helps to promote the cliche that anime is a bunch of stories for sad patetic teenagers about a sad patetic teenager and a bunch of female stereotypes that surround him for no other purpose than to repeat the same gimmicky "big anime facial expresion" over and over.
That said, this manga looks good.
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He was essentially the screenwriter for the anime adaptation; I mention it here for the sake of completeness. "Ayashi" is IMO the far better work.
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