After the psychological / mythological head-rush of Apollo’s Song, the strange and compelling Ode to Kirihito, the gut-wrenching nihilism of MW, and the epic Buddha, what could Vertical, Inc. possibly be bringing us next from Osamu Tezuka? When you’re dealing with a guy whose worst work was still better than most other people’s best, anything they cull from his encyclopedic back catalog is likely to be fascinating.

And so now Vertical has brought us Dororo, a story that at first doesn’t seem to have a lot in common with the other Tezuka works listed here, if only because on first glimpse it looks almost light-hearted in comparison. It’s a rollicking adventure in ancient Japan, abounding with denizens of the supernatural and feats of the superhuman—in short, a story that seems to have a lot more in common with your average Shonen Jump action title than anything with Tezuka’s name on it. Look closer, though, and you’ll quickly realize that the adventure and action is just a wrapper for all the big things Tezuka addressed in all of his stories, big and small.