It’s not about the answers. It’s about how you ask the questions. That’s the feeling I get from Oldboy, and it becomes all the clearer with each passing volume. It’s not really about why the man who goes by the alias “Dojima” took another man named Shinichi Goto and locked him up in a private prison for ten years, then set him free (also for no apparent reason). Think about it: if someone did that out of some deeply personal hurt, wouldn’t the reason(s) be essentially arbitrary anyway?
I suspect that’s why so much of Oldboy, up to and through Volume 5, has been about the process of finding answers. What will Goto do to get those answers, especially when the man who has all the answers to begin with insists on doling them out one at a time, like expensive truffles? “Dojima” wants to see how far Goto will go on his end, and Goto wants to see how he can make his opponent come to him instead.
Article originally written for AMN. Click here to read full text.
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