After the fascinating “shojo space opera” of To Terra… (also adapted into a TV series now licensed by Bandai Entertainment for us lucky folks in the West), Vertical Publishing picked up another of Keiko Takemiya’s works for English publication. Andromeda Stories features Takemiya’s art but a story by one Ryu Mitsuse, nominally known as an author of historical fiction and SF in Japan, and he was apparently a major influence on Takemiya to begin with. Their collaboration’s yielded up a story that’s markedly unlike Terra but at the same time clearly informed by the same kind of imagination. Terra gave us a rogue, telepathically-enabled offshoot of humanity reaching out across the stars to its brothers on Earth; Andromeda gives us a machine civilization that’s crossed the universe to colonize an unsuspecting and peaceful world by literally and figuratively tunneling under and invading from within.
Takemiya and Mitsuse make an ambitious creative team, and they kick things off with a bang — as in, the Big Bang. The creation of the universe itself occupies the first several pages, a nice way to signal to the readers that the fate of the cosmos itself hangs in the balance (although exactly how that’s the case won’t be clear for a good long while). Then Takemiya’s camera eye zooms in a little closer — down to Planet Astrias of the Cosmoralian Empire, where a royal wedding is about to transpire. Pricess Lilia of the Kingdom of Ayodoya and Price Ithaca of Cosmoralia (that’s King Ithaca to you, now) are brought together with much rejoicing by the common folk. But all is definitely not well under the surface: through the celebratory crowds strides a serious-faced young woman who wields a sword as well as any man, and with a deep sense of foreboding hanging over her. Her name is Il, and only by degrees do we learn the real nature of her presence — along with many others who have concealed themselves in secret for generations.
Article originally written for AMN. Click here to read full text.
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